Poetry Response of Sonnet by Billy Collins

1. The speaker unit of the poesy is writing a sonnet, and his sonnet talks about the body coordinate of sonnets which consist of fourteen lines that verse and atomic number 18 written in iambic penta meter, and the content of sonnets which is unremarkably get along.\n\n2. The speaker seems to make do a situation in the poem, by means of a figurative style introducing Petrarch himself and his muse Laura, which stands as a symbol of the speaker putting down his pen  to orient Laura how much he loves her through actions rather than a sonnet. The subdue audience of the poem would be for authors that need their muses, the ones they love to abet them.\n\n3. The word persona is relevant because the speaker explores the traits of a sonnet, the complications and the resolution.\n\n4. The structure of the poem appears as a typical free-verse poem, scarce it does cover some qualities of a Petrarchan sonnet, but it doesnt have regular hoar scheme or meter so it doesnt exemp lify a true Petrarchan sonnet.\n\n5. The main tooth root the poem is the speaker stating that the anile sonnets all have the very(prenominal) content and theme, namely love, and that both sonnet, that stands for a declaration of love for someone cannot make more(prenominal) of difference.\n\n6. The tone of the poem started get rid of as fairly humorous, through the speakers comparisons between similar extremities to the tear that they were hyperboles, but in the last(a) stanza the tone becomes more knockout because the speaker exposes his honest looking about his own impart in comparison to his mothers gifts.\n\n7. In the poem, the speaker uses personification of entryway a little send across loves storm tossed seas  to address love, or the complications that come with love.\n\n8. The speaker states a religious propagation in one for each station of the cross , which alludes to the fourteen Stations of the Cross in Catholicism.\n\n9. In the poem, the iambic bongos  are iambs,, which is an unstressed syllable followed by a stressed syllable, and while the ...